Scott – SCOTT WALKER****

Mathilde/Montague Terrace (In Blue)/Angelica/The Lady Came From Baltimore/When Joanna Loved Me/My Death/The Big Hurt/Such A Small Love/You’re Gonna Hear From Me/Through A Long & Sleepless Night/Always Coming Back To You/Amsterdam

This was the first of the notable solo Scott Walker albums released after he left The Walker Brothers. This one demonstrates the strong influence of Belgian songwriter Jaques Brel. (UK:3)

"Scott has often been named the definitive interpreter of Jacques Brel, and here he proves his mettle on classics such as Mathilde, My Death and Amsterdam. In addition he pays homage to Tony Bennett and tips his hat to Toni Fisher. From Vegas to Broadway, he hits the musical heights, without ever resorting to imitation or parody. And, if that weren't enough, he also writes gorgeously. Consider the baroque nature of what is arguably his masterpiece, Montague Terrace, where grandeur and pathos blend in a seamless musical tapestry. Underscoring it all is Scott's voice, an exquisite instrument without equal in the pantheon of pop music."

"Most people say this album is somewhat weaker than the rest, mostly due to MOR covers but Scott 1 still packs quite a punch with three Walker originals, and three Jacques Brel covers, which are definitely the definitive English versions. The stunning, intentionally overblown arrangements, combined with Scott's intriguing lyrics and deep voice, keep me coming back for more. Scott's own Montague Terrace was a preview of things to come in future albums."

"Looking back now I wonder at the lyrics, still so ageless today. His voice is exquisite and just today brought tears to my eyes."

"Over the top orchestrated melodrama, but it works anyhow. I like Scott Walker's baritone voice, it moves me, and is strong enough to carry the weight and pomp. A certain dark edge underneath it all keeps it from sounding like a Broadway musical. Lots of Jaques Brel covers that work for me."

"Scott Walker released a series of solo albums, in the late 60s, which stand as a testament to a tormented genius. Too many covers for this to be considered a classic, which is a shame as his own compositions more than hold their own. His voice is put to better use on later albums."