Birds Of Fire/Miles Beyond/Celestial Terrestrial Commuters/Sapphire Bullets Of Pure Love/Thousand Island Park/Hope/One Word/Sanctuary/Open Country Joy/Resolution
Birds Of Fire was the second and final studio album from the first incarnation of the jazz-rock fusion band Mahavishnu Orchestra. The leader, guitarist John McLaughlin, would soon forge new collaborations. (US:15 UK:20)
“Stylistically they pretty much continue the jazz rock/fusion style of their debut. The more prominent use of synths here is the most major difference. Compositionally the two albums also have a lot in common even though the compositional structures are generally a bit more developed on Birds Of Fire. There is still a lot of focus on long solo sections and not so much on reoccurring themes and recognisable melodies.”
“Possibly a shade less to my liking than Inner Mounting Flame, but no matter. It's another great recording that stands the test of time. The title track and Celestial Terrestrial Commuters rank as my favourite here, while the fan base at large probably would cite One Word. The record doesn't flow quite as well for me as the debut, but it's still a must own for the genre.”
“For their second album the Mahavishnu Orchestra wisely decided not to try and top the explosive fury of their debut, instead seeking to diversify their sound. The closing Resolution recalls the dark tones of their first album, but other songs show a breathtaking versatility on the part of the band. For instance, Open Country Joy somehow manages to incorporate both gentle folk segments and pulsing funk sections.”
“The biggest difference between this and the debut is that the band seems to be a little more cohesive having learned how to play together. This fact makes all the better when they start tearing into their instruments.”
“Following the pattern laid down on the first album, this one soars and pulsates, shakes and stirs, like nothing before. Perfect performances and some great tunes make it another masterpiece. This music sounds today as fresh and revolutionary as it did when first released.”
“The major shining point of the album, and the band, is the ridiculous technical precision displayed by all five members. McLaughlin's songwriting has definitely expanded this time, but there are parts that can appear over-the-top.”
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