Back At The Chicken Shack – JIMMY SMITH****

Back At The Chicken Shack/When I Grow Too Old To Dream/Minor Chant/Messie Bessie/On The Sunny Side Of The Street

Renowned jazz electric organist Jimmy Smith hit the US album top twenty for the second time with the blues influenced set Back At The Chicken Shack. Recorded in 1960 but not released until 1963. (US:14)

“This is a decent jazz album using an unfamiliar jazz instrument, the Hammond organ. All the songs are good with excellent interplay between the tenor sax and organ. Nothing really stands out but that doesn't mean it doesn't sound good. Even the drums get a little workout on Minor Chant. All in all a decent album but it never steps into great, or even very good material.”

“Pretty impressive jazz funk, leaning more towards jazz when Smith's organ takes a back seat to Turrentine’s cool sax playing. Smith seems a very generous player. Technically excellent but willing to pare it back to let others keep the music flowing. This is one for the cocktail hour."

“One could argue that at this point, Smith had achieved most of what he could do at Blue Note and that his albums were already becoming formulaic. Back At The Chicken Shack is not quite up there with his late 1950s material, and Smith's penchant for sonic experimentation had given way to playing solid swinging bop albums now, but it's the last of a couple of great albums Smith made for the label and before he would reinvent himself and his sound at Verve.”

"Don't know which track is best because they're all stunning but to name a few, maybe Minor Chant stands out a little, but not by much though." "On this album, widely regarded as his strongest, Smith's playing is groovy and laid back, but not in a lazy way."

"Back At The Chicken Shack isn't the greasy, deep-fried jam session that its title and cover promise. The music here is simply too clean for that. Only by listening to Jimmy's chords, solos and great bass line can you appreciate such great talent."

“Smith's innovative concoction of soul, jazz and blues does not disappoint: from the down-home vibe of the title track, through to the infectious, loping Minor Chant.”

At The Cocoanut Grove – SAMMY DAVIS JR****

Once In A Lifetime/In The Still Of The Night/What Kind Of Fool Am I/Falling In Love Again/I’ve Got You Under My Skin-Big Bad John-Night & Day(Medley)/West Side Story Medley/River Stay Away From My Door/Me & My Shadow/Hound Dog-What I’d Say (Medley)/Rock-A-Bye Your Baby With A Dixie Melody/Finale Jam Session/Birth Of The Blues

Multi-talented entertainer Sammy Davis Jr. scored his only UK top twenty album with this live set from the Los Angeles Cocoanut Grove nightspot. The amount of banter from Sammy included on the album may not be to everyone's taste. (US: 96 UK:19)

"Sammy swung 'The Grove' on this night with long time arranger/conductor George Rhodes. He sang, joked, danced, and did his famous impersonations of singers and actors alike."

"It's a wonder the joint didn't implode back then due to the sheer force of Sammy's talent."

"Awesome demonstration of Sammy's multi-talented prowess."

"His West Side Story medley with just bongo accompaniment is breathtaking, and his swinging of Falling In Love Again is crisp."

"If you want to enjoy Sammy Davis Jnr. at his best, this is the album for you. Live, with his powerful voice and banter with the crowd."

"Of special interest is to listen to him sing the classics, In The Still Of The Night and What Kind Of Fool Am I? You can't get better than that. A piece of musical history."

"A must-own for Sammy lovers. Reminds me of just why so many of us enjoyed him and miss him so much."

"Captures Sammy at the top of his game performing live at the Cocoanut Grove Lounge in Los Angeles in late 1962. From start to finish the electricity in the air reflects Sammy's singular talents and his rapport with his audience."

All Alone Am I - BRENDA LEE***

All Alone Am I/By Myself/I Left My Heart In San Francisco/Its All Right With Me/My Colouring Book/My Prayer/ Lover/All By Myself/What Kind Of Fool Am I/Come Rain Or Come Shine/I Hadn’t Anyone Till You/Fly Me To The Moon

On All Alone Am I, the majestic top ten title track compensates to some extent for the unimaginative choice of songs which are a poor vehicle for Brenda’s distinctive singing style. (US:25 UK:8)

"All Alone Am I features a classic hit single as its title track, but is unduly weighted towards adult pop standards."

"The impression is given that her album market was viewed as being a more mature audience than the more youthful one responsible for buying a high percentage of her smash 45s."

"The cover of Fats Domino's All By Myself is, aside from All Alone Am I, about the only nod to the more vigorous segment of the pop market that had made her a star in the first place."

"One of the less imaginative and interesting of her early albums."

"Brenda Lee was, without doubt, a very talented singer, and this beautiful song All Alone Am I, must rate amongst her best. Her vocal range was phenomenal, and this song, in particular, showed how good she actually was."

“All Alone Am I is on top of my list of favourite songs."

“This little girl could sing up a storm and tear your heart out."

I Wanna Be Around – TONY BENNETT****

The Good Life/If I Love Again/I Wanna Be Around/I’ve Got Your Number//Until I Met You/Let’s Face The Music And Dance/Once Upon A Summertime/If You Were Mine/I Will Live My Life For You/Someone To Love/It Was Me/Quiet Nights

Highly respected jazz influenced vocalist Tony Bennett enjoyed his third US top twenty album with I Wanna Be Around which features classics such as The Good Life and the title track, both US top twenty singles. (US:5)

"I Wanna Be Around shades more toward the popular soft swing style than jazz, but delivers two of the singer's signature numbers and much more, The Good Life and the title track."

"Throughout, you can sense these songs fit the singer like a custom tailored suit."

"The songs are fully up to the performance, plenty of Johnny Mercer numbers, plus Coleman and Leigh's pleasing I've Got Your Number which finds the singer phrasing some clever lyrics in tempo."

"Nobody today can sing a standard like Mr. Bennett, because he's practically the last of the great traditional jazz/pop vocalists around."

"There was no male pop/contemporary singer who had quite a hot streak like Tony Bennett in the early 60s. His talent and artistry has stood the test of time."

"The opening number The Good Life is the definitive version of this tender song. The title song I Wanna Be Around is filled with colour and dimension. Tony's vocal timing is impeccable."

“This music is far less popular than it deserves to be."

“The Good Life is above everything and everyone. A true piece of art."

“I Wanna Be Around is a fantastic song but it is also one of the cruellest sentiments in pop music. Still, I love it."

1962’s Greatest Hits – BILLY VAUGHN***

Telstar/The Stripper/Stranger On The Shore/Moon River/The Lonely Bull/Ramblin’ Rose/Born To Lose/Release Me/Go Away Little Girl/I Can’t Stop Loving You/Dear Lonely Hearts/Roses Are Red

Very easy on the ear US bandleader Billy Vaughn chalked up his yet another top twenty album success with this silky smooth collection of orchestral interpretations of some big hits from 1962. (US:17)

"Great selection, in strict tempo, for you to roll up the carpet and dance to at home."

"His music is smooth and a pleasure any time of the day."

"The kind of music that puts you in a good mood."

"On Telstar Billy gives the piece a different treatment from the original interpretation, more like a movie theme."

"What a wonderful rendition of The Lonely Bull by Vaughn."

"His version of Moon River is simply beautiful."

Winners! – STEVE LAWRENCE***

Cotton Fields/Misty/Around The World/Who’s Sorry Now/Its Not For Me To Say/Kansas City/Go Away Little Girl/ All The Way/Moon River/Teach Me Tonight/Lollipops & Roses/Volare

Easy listening vocalist Steve Lawrence returned to the US album chart with Winners! which includes his most successful single, the No. 1 Go Away Little Girl, which in the UK was a top ten hit for Mark Wynter. Steve Lawrence is best known for his partnership, both romantic and musical, with Eydie Gorme. (US:27)

"Winners! boasts the number one hit Go Away Little Girl, a contemporary song bordering on teen idol pop that isn't representative of the rest of the album."

"The prevailing sound is that of the traditional pop era, as Lawrence sings songs old and new, with strings and a big band."

"This is a must-have album for Steve Lawrence fans, and it even makes a fine starter for people just discovering his magical style."

"Steve's voice sounds just great, and we are all better off for his having shared his gift with us."

"Steve sings Misty wonderfully and he never skips a beat either. His voice is in peak form and his excellent diction bolsters his performance all the more."

"In my opinion Steve Lawrence is one of the very best vocalists of my time, a very talented performer. His music is absolutely great."

"Someone find me a time machine please. What a great time it was to be young in the 60s, I really miss it. Thank you for this beautiful song Go Away Little Girl."

Walk Right In – THE ROOFTOP SINGERS***

Walk Right In/Hey Boys/Shoes/Houston Special/Tom Cat/Cool Water/Somebody Came Home/You Don’t Know/ Stagolee/Rained Five Days/Ham & Eggs/Ha Ha Thisaway/Brandy Leave Me Alone

US folk trio The Rooftop Singers reworking of the 1920's ragtime song Walk Right In topped the US singles chart and reached the top ten in the UK. This was the only album chart entry from this relatively short lived group. (US:15)

"Mix jazz and blues into their folk, occupying a somewhat more sophisticated corner of the early-60s folk revival."

"Erik Darling's 12-string guitar sound sparked my lifetime love for the 12. Still wonderful today."

"Wow this band is so great they really know how to melt some faces, such speedy guitar. Words are so catchy they're almost annoying."

"Love those 12 strings and guitar solos."

"One of the happy songs from my youth. Love this one."

“This is one of the best albums of the entire 60s folk revival. The material here leans towards the commercial folk vein, but its mostly original.”

That Stubborn Kinda' Fellow – MARVIN GAYE***

Stubborn Kind Of Fellow/Pride & Joy/Hitch Hike/Got To Get My Hands On Some Lovin’/Wherever I Lay My Hat/Soldier’s Plea/It Hurt Me Too/Taking My Time/Hello There Angel/I’m Yours You’re Mine

Motown vocalist Marvin Gaye is here captured in the early stage of his career. That Stubborn Kinda' Fellow contains the original version of Wherever I Lay My Hat which Paul Young took to No.1 in the UK in 1983. (US:46)

"That Stubborn Kinda' Fellow is Tamla at its earthiest, most thrilling and exuberant, and benefits from the newly signed Martha and The Vandellas providing soaring backing vocals on six of the ten tracks."

"Marvin's first real release (not counting the supper club flop The Soulful Moods Of Marvin Gaye) is possibly the grittiest and most soulful album that Motown ever released in the sixties. This lends the disc a little more cohesiveness than the majority of the label's releases during the decade."

"Like most Motown records of the era, That Stubborn Kinda Fellow is expertly crafted and extremely pleasurable, even if it's not always memorable."

"Stubborn Kinda' Fellow provided Marvin's first breakthrough in America, when the title track made the top ten in the R & B charts, while also becoming a minor hit in the pop charts."

"It doesn't matter how old you are, this is great 'feel-good music'. Try to pass it on to the younger people. If they hear it, they won't be able to tune it out, not if they have an ounce of real soul."

"A great era to be alive, wonderful, soulful, and great on the ears. Too bad today's generation doesn't have this to enjoy."

"The title track is all that is great about Motown, and all that lacks in today's artists and performers is illustrated here. You don't hear this song enough, its brilliant."

"Barely restrained passion and style. Martha & The Vandellas on background vocals got that 60s call and response thing going on."

Summer Holiday – CLIFF RICHARD****

Seven Days To A Holiday/Summer Holiday/Let Us Take You For A Ride/Les Girls/Footapper/Round & Round/Stranger In Town/Orlando’s Mine/Bachelor Boy/A Swingin’ Affair/Really Waltzing/All At Once/Dancing Shoes/Yugoslav Wedding/The Next Time/Big News

Cliff Richard's soundtrack album Summer Holiday topped the UK album chart for over three months. It includes the No. 1 singles, The Last Time, Bachelor Boy, the title track and Footapper from The Shadows. Cliff was Britain's top selling artist in the early 1960s but his dominance was soon to be challenged with the emergence of The Beatles. (UK:1)

"Its a good soundtrack, if you love watching the film and singing along - a must for Cliff fans."

"Summer Holiday not only stands alone, it is also one of those rare soundtracks which actually enhances the movie it represents."

"Cliff's own performances, the anthemic Bachelor Boy, the blistering Dancing Shoes, and the impossibly stately The Next Time have all been accorded classic status, commercially and musically. The trio of Shadows instrumentals are all the equal of the band's regular fare."

"Summer Holiday is dominated by its all conquering title track, but is by no means cowed by it."

"Summer Holiday was both the most successful movie and soundtrack that Cliff Richard ever put its name to, an almost absurdly feel good film, accompanied by some of the best loved songs in his entire catalogue."

“The Next Time is his best track ever by far, so emotional, it must strike a chord with everyone. Simple words, but so beautiful and so true to life. And this melting voice of Cliff Richard, it appeals, bewitches."

“This soundtrack is very good and contains a lot of contrast across the rock 'n' roll musical spectrum. My favourites are Swingin' Affair, Dancing Shoes, Next Time, Bachelor Boy to name but a few. The Shadows accompany this soundtrack superbly.”

Songs I Sing On The Jackie Gleason Show – FRANK FONTAINE**

When Your Hair Has Turned To Silver/I’m Forever Blowing Bubbles/That Old Gang Of Mine/Daddy’s Little Girl/If You Were The Only Girl In The World/Mary’s A Grand Old Name/(The Gang That Sang) Heart Of My Heart/I Wonder Who’s Kissing Her Now/Beautiful/If I Had My Way/Always/Easter Parade

Surprise US album chart topper from this regular comedy actor on the Jackie Gleason Show. This is a collection of sentimental oldies sung in a deep bass voice in a very old fashioned plodding style. Presumably its appeal was to the older viewers of the TV show recalling the songs of their youth. Today's listeners may prefer interpretations which demonstrate more vim, verve and vigour. His subsequent album releases were much less successful. (US:1)

"Listening to Frank Fontaine always makes me feel so very fortunate to have grown up during the period in time when he appeared on the Jackie Gleason Show each week."

"What a gifted singer he was when he sang these great standards. It was pure musical magic."

"You won't regret buying this album - it is music as it should be heard."

"The first time I heard him sing on the Gleason show, it floored me that a voice like that came out of nowhere."

"One of the best bass singers from that era."

Sinatra-Basie – FRANK SINATRA & COUNT BASIE*****

Pennies From Heaven/Please Be Kind/(Love Is) The Tender Trap/Looking At The World Through Rose Coloured Glasses/My Kind Of Girl/I Only Have Eyes For You/Nice Work If You Can Get It/Learnin’ The Blues/I’m Gonna Sit Right Down (And Write Myself A Letter)/I Won’t Dance

Sinatra-Basie is widely considered to be the best of the three albums Frank Sinatra recorded with swing legend Count Basie. This was an historic first collaboration between two of the 20th century’s finest musical performers. (US:5 UK:2)

“There isn't a bad cut on this LP. Each piece is a classic in sound, arrangement and phrasing. It was a best seller when it came out in 1963 and for good reason: here's Sinatra as the ultimate jazz singer, doing amazing variations on familiar melodies with one of the most crisp, 'swinging' orchestras around. He had said he had waited years to do a recording with Basie and his joy shows.”

“Basie's presence gives these songs a vibrant, jumping sound that's incredible. His big band pushes Frank and the result is just fantastic. You can't go wrong here.”

“If you like Frank Sinatra it honestly doesn't get much better than this. If you aren't sure what Sinatra you should get I'd highly recommend this one. Sinatra's vocals with Basie's backing, is practically explosive. What a great album.”

"Sinatra reacts jauntily to the beat encouraging the drummer to swing even harder, which is exactly the way to interact with the Basie rhythm machine, using his exquisite timing flawlessly."

"The record's restraint has worn very well over the long haul - it doesn't beat you into submission. Sinatra is on top form in the company of A-list jazz musicians.”

"This album is so cool with an elegance that has been completely lost in the intervening decades. It brims with a confidence and a self reliance that you just don't hear anymore."

"Mid-period Sinatra at his best. The songs are sublime. Perfectly captures a vocal master in his prime who oozes confidence and ease in every lyric. A meeting of two musical giants and something that is not to be missed. The reason it works so well is because the musicianship is of such a high calibre."

Our Man In Hollywood – HENRY MANCINI****

Days Of Wine & Roses/Walk On The Wild Side/The Wonderful World Of Brothers Grimm/Mutiny On The Bounty/Mr Hobbs Theme/Seventy Six Trombones/Phaedra/Bachelor In Paradise/Too Little Time/Drink More Milk/The Wishing Star/Dreamsville

Our Man In Hollywood showcases Henry Mancini's supreme talent as a composer, arranger and conductor of movie themes. Both his craft, and distinctive movie themes, seem to have now disappeared. (US:12)

"This release is one of Mr. Mancini's best. Having the chance to own it is a must for any Mancini fan."

"This album is some Mancini, some others, all wonderful arrangements, with killer versions of A Walk On The Wild Side and Seventy-Six Trombones."

"It was first released in 1963, and captures that era exceptionally well."

"Today it seems that this music was composed by someone from another planet."

"America used to be so classy in its songs, movies, etc. Where has it all gone?"

"Our Man In Hollywood is one of the best Mancini albums I have heard and I have heard many."

“Too Little Time is the ultimate melody and perfect for trombone."

“What a hauntingly lovely piece of music is Days Of Wine & Roses, the music and lyrics capture the emotion of the film."

“Mancini wrote some of the most beautiful themes of all time."

Moving – PETER PAUL & MARY****

Settle Down(Goin’ Down That Highway)/Gone The Rainbow/Flora/Pretty Mary/Puff The Magic Dragon/This Land Is Your Land/Man Come Into Egypt/Old Coat/Tiny Sparrow/Big Boat/Morning Train/A’Soalin

Iconic sixties folk trio Peter, Paul & Mary followed up their chart topping debut album with Moving. Includes the US No. 2 hit single Puff The Magic Dragon, an all time favourite children's song. (US:2)

“Moving presents an album full of a wide variety of folk numbers, but the overall sound takes on a more serious tone when compared with their debut. This seriousness comes at the hands of a few tracks, most notably Gone The Rainbow and Old Coat. This allows the group to broaden their sound and further appeal to listeners like myself. I have come to appreciate both the fast, energetic tracks and the slower, more sombre ones as well.”

"One of the epochal albums of the sixties, Moving is the one of the trinity of first albums recorded by Peter, Paul and Mary. Not a loser in the collection, and many are almost too beautiful for words. A terrific snapshot of early sixties zeitgeist, and a rather sad reminder of how much more innocent and optimistic we were then.”

"This fine album convincingly demonstrates that this trio were well ahead of their time. The brilliance of their singing and guitar playing is best illustrated on the final track, A Soalin."

"This Land Is Your Land shines very brightly on this album, it's easily a major highlight. Settle Down (Goin' Down That Highway) has great guitar work and Peter, Paul & Mary harmonize this very well."

"Their music is comforting, thought provoking and lyrical. The harmonies are beautiful and the songs are haunting."

“Of the songs they wrote themselves, Puff The Magic Dragon is one of the finest children's songs ever written."

“Showcased here, of course, is Mary Travers' voice, an instrument of such crystalline purity that it has something of the angels in it. Paul and Peter back her up beautifully, content to let her be (usually) the main vocalist while they harmonize."

In Person – THE NEW CHRISTY MINSTRELS****

Denver/The Preacher & The Bear/Liza Lee/The Dying Convict/The Invalids/Fire/Louisiana Lou/You Know My Name/Golden Bells/Bits & Pieces Medley/Saints Train

The popular folk group The New Christy Minstrels second album In Person showcased their acclaimed live performances at the Troubadour Club in Los Angeles. (US:30)

"In Person presents the band in a live setting, and amazingly, they handle the multiple vocal parts with the same aplomb as their studio work."

"In Person represents the epitome of popular folk music during the early '60s, and shows The New Christy Minstrels at their most sprightly."

"The New Christy Minstrels In Person recaptures much of the charm of their concurrent stage show."

"If your musical taste includes folk songs that tell stories which cover the range of humorous, dramatic, faith affirming, poignant and whimsical - played by extremely talented singers/musicians - then this LP is a must for you."

"Prior to the British rock invasion, the Christy ensemble was one of the most popular musical acts in America."

"It accurately captures the showmanship and energy that made a Christys' performance an enjoyable event for fans of all ages."

"Everything anyone could ever want in just a single album is in here - the wistful through to the foot-tapping extraordinary, the patriotic through to the downright hilarious, and all played by the most amazingly talented ensemble of musicians and singers ever assembled."

"In Person contains a lot of humour, from songs like The Invalids to a great series of short tunes. I wholeheartedly recommend this album, its certainly fun to listen and sing along to."

I’ll Remember You – FRANK IFIELD***

Just One More Chance/I've Got That Sad & Lonely Feeling/The Glory Of Love/Gone/Lonely Teardrops/San Antonio Rose/Heart & Soul/I'm A Fool To Care/The Wisdom Of A Fool/I Heard That Lonesome Whistle/Any Time/Before This Day Ends/I Just Can't Lose The Blues/In A Mansion Stands My Love

Australian Frank Ifield was hugely popular in the UK during the period 1962-64 with his easy going, yodelling style of singing. Despite the title his smash No. 1 I Remember You has been omitted. Instead, this debut album consists mostly of older standards and filler, featuring the distinctive Ifield vocal style. (UK:3)

"His voice belongs somewhere in the Alpine range echoing through the mountains in a chilling crisp tone."

"Frank makes music which makes you hum and tap your feet."

"He had a warm, easy-going style and a singing voice that had a range from baritone up through tenor to a falsetto that produced the yodel for which most people remember him."

Greatest Hits – THE SHIRELLES****

Welcome Home Baby/Soldier Boy/Tonight’s The Night/Dedicated To The One I Love/Mama Said/Big John/What A Sweet Thing That Was/Stop The Music/Baby Its You/Will You Love Me Tomorrow/Blue Holiday/A Thing Of The Past/The Thing I Want To Hear/Its Love That Really Counts

The Shirelles were a melodic girl group who paved the way for similar later acts such as The Crystals, The Ronettes and The Supremes. Includes the No. 1 US hits Will You Love Me Tomorrow and Soldier Boy. Their chart hits dried up with the rise of the Motown sound. (US:19)

"Of all the girl groups of the early sixties, The Shirelles were among the best and most important. This compilation shows just how brilliant they were."

"Most people will know Will You Love Me Tomorrow but may not realise how many good songs were recorded by The Shirelles."

"The Shirelles were the first of the rock & roll era black girl groups, singing soulful material with excellent harmonies."

"They pre-dated The Ronettes and The Crystals and were hugely successful in the USA."

"It is clear that The Shirelles were hugely influential."

"I wish music was like this today, Theres no class or heart in today’s sounds."

“The time when talent and music were real."

“Grew up in this era, such a simple and fun time. And totally great music. Being in love in the 60s was so special."

“Timeless - this is music not the rubbish on the radio today. Carole King is a most gifted songwriter and The Shirelles were oh so talented."

A Golden Age Of Donegan Volume 2 – LONNIE DONEGAN***

Tom Dooley/Michael Row The Boat Ashore/Lively/Bring A Little Water Sylvie/Dead Or Alive/Jack O’Diamonds/ Does Your Chewing Gum Lose Its Flavour/Lonesome Traveller/Talking Guitar Blues/Don’t You Rock Me Daddy-O/Jimmy Brown The Newsboy/Gamblin’ Man

This final chart appearance for the King of Skiffle includes the novelty hit Does Your Chewing Gum Lose Its Flavour. After over six years solid chart success, Lonnie's relatively unsophisticated musical style quickly went out of fashion with the arrival of the beat groups. (UK:15)

"This music was at the forefront of all subsequent pop music. I will listen to it time and time again."

"His use of simple 'instruments' like tea chests, tins, washing boards and a cheap Spanish guitar gave the impression that anyone could do it." "You either like it or hate it."

"The early skiffle on this album, a blend of trad jazz and folk, is great."

"Lonnie Donegan, whose hopped-up, folky sound, which came to be known as skiffle, inspired legions of youngsters to form their own bands. Donegan adapted American folk and country tunes to his acoustic guitar, but backed himself with a bassist, washboard player and drummer. The result was a rootsy, propulsive sound that brought the simplicity of folk together with the driving rhythms of uptempo bluegrass and rockabilly."

“Vol. 2, was very much a rear-guard action, sweeping up the lesser early successes and a few of his later hits. As such, it was a less powerful collection, but in tandem with the earlier set, provided a neat summary of the skiffle king's career so far."

Ella Sings Broadway – ELLA FITZGERALD****

Hernando’s Hideaway/If I Were A Bell/Warm All Over/Almost Like Being In Love/Dites-Moi/I Could Have Danced All Night/Show Me/No Other Love/Steam Heat/Whatever Lola Wants/Guys & Dolls/Somebody Somewhere

Ella Fitzgerald will always retain the title of The First Lady Of Song. Ella Sings Broadway features her singing show tunes, a musical genre she didn't routinely perform.

“This album allowed Ella to interpret a fine collection of Broadway show tunes. Among the highlights are a swinging Hernando's Hideaway, sensitive readings of the lovely ballads Warm All Over and No Other Love, a bright swinging version of Almost Like Being In Love and sprightly romp through Show Me taken at a breakneck tempo with the unparalleled queen of swing never missing a beat.”

“The album is representative of Ella's Verve years and features the singer vocally at her peak. She is backed by a small, swinging orchestra that features brass. For Ella fans this album is essential, as it provides the perfect opportunity for those interested in hearing the singer at her best.”

“Ella attacks these numbers with all her might. Her voice is rich, warm and vibrant; and Marty Paich's arrangements fit the bill just right.”

“Songs out of context from Broadway musicals were not the best fit for Ella's talents, On this effort she mixes novelty tunes and love songs almost equally, and perhaps that combination is one of the (minor) flaws. It is quite listenable, but not quite powerful or memorable.”

“Here is a collection of great Broadway tunes that didn't necessarily fall into the prestigious 'songbook' category. Ella is in particularly good, swinging form and Marty Paich does wonderfully well in these sessions. The light bounce to Warm All Over comes off without a hitch and really does make you feel just like the title says. Ella's take on Dites Moi is both delightful and swinging; a top-notch arrangement abets her tastefully. There is a jazzy-yet-Latin-tinged treatment of No Other Love that makes for a fine female reading of this classic.”

“Although the repertoire is a bit mixed from the opera-ish My Fair Lady to the classical Guys & Dolls, this album somehow pulls the collection of songs together.”

Blood, Sweat & Tears – JOHNNY CASH***

The Legend Of John Henry’s Hammer/Tell Him I’m Gone/Another Man Done Gone/Busted/Casey Jones/Nine Pound Hammer/Chain Gang/Waiting For A Train/Roughneck

Blood, Sweat & Tears was a concept album from country star Johnny Cash in which he pays tribute to the working man and registers a protest against his troubles. (US:80)

“This is a decent concept album from Johnny Cash. None of the songs are ones I would consider to be among his best, but I can't think of anyone who managed to be so consistently good for as long as he was. Johnny Cash can do no wrong in my book.”

“Blood, Sweat & Tears is a righteous album that goes beyond a concept: it's a statement. This may be one of Cash's more important albums, and perhaps one of the more important albums of our time.”

“This 1963 album by Johnny Cash features songs about 'the working man'. The single from the album was Busted. The other song that everyone remembers is the epic The Legend Of John Henry's Hammer. Both of these songs are great, and so is everything else on the album. Johnny really had an affinity for these kind of songs, and it really shows here. Highly recommended to Johnny Cash fans.”

“I can't get enough of Johnny Cash's themed albums, and this one is no different. I got it mainly for The Legend Of John Henry's Hammer. It's complete with sound effects, crowd noises, and different viewpoints, and tells the tale in a thoroughly unique way. And Busted is a very funny song. Most of the others are also about working, quitting work, not wanting to work, having a hard time at work, etc. The songs are all worthy, and he sings them in his own style, doing some very interesting things vocally.”

“This is a truly remarkable Johnny Cash album that is largely under the radar screen of most fans. Its certainly vintage Cash: gritty, almost depressing in parts, but a great edition to any Cash library.”

“Cash here is recording folk music, mostly tributes to larger than life figures or the troubles of everyday blue-collar workers. Choosing a few pearls from this is hard but the epic Legend Of John Henry's Hammer is easily one of them.”

Richard Chamberlain Sings – RICHARD CHAMBERLAIN***

Hi-Lili Hi-Lo/All I Have To Do Is Dream/I Will Love You/I Hadn’t Anyone ‘Til You/Theme From Dr Kildare (Three Stars Will Shine Tonight)/Its A Lonesome Old Town/True Love/I’ll Be Around/Love Me Tender/All I Do Is Dream Of You/A Quiet Kind Of Love

Richard Chamberlain's only album chart entry was this self titled collection of pop covers. Includes the top ten single Theme From Dr Kildare. He is best remembered for playing the lead role in the TV medical series Dr. Kildare. (US:5)

"He sounds a bit like Pat Boone while performing well enunciated pop ballads in a gentle, orchestrated teen-idol style."

"The album is practically a greatest hits collection since it contains six of his eight chart hits, including his most popular recording."

"The album attempts to appeal to Chamberlain's cross-generational television audience by mixing inoffensive pop ballads with traditional standards."

"Not only handsome, charming and a great actor but a lovely singer too. His voice is beautiful."

The Lonely Bull – HERB ALPERT*****

The Lonely Bull/El Lobo/Tijuana Sauerkraut/Desafinado/Mexico/Never On Sunday/Struttin’ With Maria/Let It Be Me/Acapulco 1922/Limbo Rock/Crawfish/A Quiet Tear

The Lonely Bull was not only The Tijuana Brass’ musical debut, but also the first album released on A & M Records. The rousing title track was a US top ten single. This was the first in a long series of massive hit albums for easy listening Alpert during the 1960s. (US:10)

“I can remember when Herb Alpert and The Tijuana Brass were all the rage. The music was beautiful, performed by wonderfully skilled musicians having a lot of fun doing what they do. This music is not for everyone, as most younger people will probably not appreciate the musical craftsmanship.”

“The name of the album and band would lead you to suppose that this has a Latin flavour to it. It does but it is other things as well. Tijuana Sauerkraut for example, definitely has the Hispanic feel and influence but that is overlaid on a German style oomph-pah style: It can't be pinned down except to say that it is fun. Never On A Sunday has a Greek background and a bouzouki can be heard; that does not stop the tune from being in the TJB style. Again, it is fun. Other pieces are less easy to describe but they all demonstrate a dedication to instrumental excellence.”

"The horns, percussion and guitar all shine to make the melody very special, with the backup chorus adding to the greatness of the title track."

"The melody on Desafinado charms you so much that you'll want to jump up, grab your sweetheart and dance."

"Stunning rendition of Let It Be Me the tempo slowed down considerably to allow the horns and percussion to make this classic love ballad more romantic than ever."

“Any one of that era, will listen from start to finish, and remember, when music really was music. Herb Alpert has a style he made all of his own."

“Though its liner notes claim it to be a replica of Tijuana music, it is actually a watered-down version, sanitized for a conservative, mainstream pop audience who might find the genuine thing a bit too daunting."

Play Telstar The Lonely Bull – THE VENTURES***

Telstar/The Lonely Bull/Green Onions/Mexico/Apache/Calcutta/Tequila/Never On Sunday/Red River Rock/ Percolator/Last Night/Let There Be Drums

US premier guitar instrumental group The Ventures had their highest placed LP with this collection of contemporary pop covers that added nothing to the originals. (US:8)

"This group was integral to music in the sixties, with many artists directly affected by their music."

"Features a very aggressive version of Green Onions, a faithful rendition of Herb Alpert's The Lonely Bull and the amazing title track with its Star Trek like electric organ."

"Good music, good musicians, good times, good album."

"The Ventures bring back many memories listening to the great sounds all over again."

"Like many of their LPs, it demonstrates their versatility on faithful covers of a number of contemporary hits, ranging from rock to soul to easy listening." “My favourite one among The Ventures numbers is Tequila. Nobody can miss enjoying this music ever."

“Nice version of Telstar, but without the keys it sounds hollow."

"A top ten album for the group in early 1963, it really doesn't hold up today. In every case, you're better off with the original versions."

“Apache is nowhere near as good as The Shadows version."

Sings His Greatest Hits – DION****

A Teenager In Love/Teen Angel/Little Miss Blue/Don’t Pity Me/That’s My Desire/Where Or When/I Wonder Why/ Lonely Teenager/In The Still Of The Night/No One Knows/When You Wish Upon A Star/A Lover’s Prayer

A collection of Dion’s early singles from the period 1958-60 most of them backed by The Belmonts, the biggest and best known hit being A Teenager In Love. (US:29)

“Listening to this collection is like stepping back in time to my own adolescence, when life was simpler and the radio was filled with a stream of non-stop hits from a plethora of artists who, like Dion, seemed to be able to just keep pumping them out, one after another, with almost monotonous regularity.”

“I urge young people who have been sold today's music in a public relations fashion to try Dion & The Belmonts and begin to experience truly historical, legitimate music. The music industry is experiencing a flight to quality as listeners are going back in time to capture a musical artistry that is truly professional.”

“Dion's vocals always had a lot of heart and swagger. The slower tempo songs convey the beauty of the harmonies. And the rockers kick with youthful exuberance.”

“Some of the tunes here seem a little stilted and that is just a reflection of the times. But, for the most part, this is a true joy and belongs in any rock collection. Dion rocks. The proof is here.”

“You either sing along, listen to a harmonic blend that just amazes you, or you remember the era and just enjoy the doo-wop sound that was so much a part of early rock and roll.”

“Excellent quality and music. I grew up to the sounds of the 50s and 60s and this is the real stuff. I've always been a big fan of Dion and I find myself singing and moving around in the car while I'm listening to this LP. Highly recommend it for fans of this music.”

“This LP takes you back to those great days when the mixture of doo-wop harmony from Dion & The Belmonts thickened the air waves with their great style of music.”

Sincerely Yours – ROBERT GOULET***

I Talk To The Trees/The Nearness Of You/Tonight/Another Time Another Place/Poinciana/Ebb Tide/The Moon Was Yellow/You Stepped Out Of A Dream/Two People/Maria/Gigi/Stella By Starlight

Romantic MOR singer Robert Goulet’s second US top twenty LP Sincerely Yours, comprising popular standards and show tunes. However, he was destined never to trouble the UK charts. (US:9)

"Robert Goulet has one of the finest voices in the pop music of that era. Indeed, that handsome baritone sings those warm and tender ballads so convincingly, it's no wonder the ladies swoon."

"He had been trying to make the transition from 'Broadway Baritone' to the pop charts, and he finally hit the mark with Sincerely Yours."

"With a mixture of both Broadway and standards, and a letting loose of that big voice, he finally found the combination that showed his talents."

"The arranger and conductor, Sid Ramin, should be given credit for a job well done."

"Robert Goulet is gifted with an extraordinary voice: vibrant, deep and emotive."

"Listen to an authentic voice, with no tricks and let this old-school crooner put a spell on you."

Sings His Greatest Hits – NEIL SEDAKA*****

Next Door To An Angel/Oh Carol/King Of Clowns/Stairway To Heaven/Run Samson Run/Calendar Girl/Breaking Up Is Hard To Do/Diary/Happy Birthday Sweet Sixteen/Little Devil/Sweet Little You/You Mean Everything To Me

Neil Sedaka was one of the most popular American pop singers during the early sixties before the British invasion. A prolific songwriter, his infectiously cheerful songs reflected the innocence of teen life during this period. (US:55)

“For anyone looking for an introduction to the music of Neil Sedaka, this is the place to get started. You get all of his big hits including Next Door To An Angel, Breaking Up Is Hard To Do as well as the hilarious Run Samson Run.”

“This is a great album, his '60s stuff was definitely the best. He's got a voice that sounds like he's always smiling and his songs are so happy and infectiously poppy. Get this album, it's classic Neil, and all the songs are good.”

“Here they are, the songs you remember when you think of Neil Sedaka. These are very peppy, singable songs for all to enjoy. It is a real treat.”

“Love the old songs. Neil Sedaka is a favourite and he sings and writes so very well. Great collection of his tunes.”

“Neil Sedaka is one of my all time favourite artists. The songs on this LP are wonderful. I will enjoy listening to them over and over again for years to come. Great to have in the car for long trips.”

“This is true Sedaka in his original form. If you love the Sedaka sound of the 60s, this is it.”

“Sings His Greatest Hits has twelve huge, huge hits that made Neil Sedaka a household name early on in his career. These songs still sound every bit as good today as they did when they were originally released all those years ago. Neil cares a lot about putting out high quality music; you can tell how much he loves his music by listening to his enthusiasm as he performs these numbers. These tunes are timeless; they will never go out of style and that's grand.”

Pepino The Italian Mouse & Other Italian Fun Songs – LOU MONTE*

Calypso Italiano/Eh Mariaeh Maria/Good Man Is Hard To Find/Mala Femmena/Oh Tessie/Pepino The Italian Mouse/Please Mr Columbus (Turn The Ship Around)/Show Me The Way To Go Home/Sixteen Tons/Tici Ti-Tica To-Tici Ta/Twist Italiano/ What Did Washington Say (When He Crossed The Delaware)

Italian styled singer and guitarist Lou Monte's only US album chart entry was with this collection of children's novelty songs, boosted by the top ten appearance of Pepino The Italian Mouse in the US singles chart. (US:9)

"Sung in a pastiche of both Calabrese and English, Pepino The Italian Mouse tells the humorous tale of a mischievous mouse who comes out at night to eat cheese, drink wine and frighten Lou's girlfriend."

Out-A-Space – THE SPOTNICKS****

Orange Blossom Special/Happy Henrik’s Polka/Ol’ Man River/Nightcap/Spotnicks Theme/High Flying Scotsman/ Moonshot/The Rocket Man/Dark Eyes/My Old Kentucky Home/No Yaga Daga Blues/Amapola/I’m Going Home

Swedish guitar instrumental group The Spotnicks first album release recorded in London. Includes the minor hits Orange Blossom Special and Rocket Man but excludes their biggest chart success Hava Nagila. Out-A-Space contains tuneful instrumentals similar in style to The Shadows, let down by three dubious vocal tracks. The Spotnicks were big in Europe and Japan but this was their only UK hit album. The group was noted for their trademark space suits worn on stage. (UK:20)

“The 60s put out some good music; this defines the culture of the era of hot rods and spacey tunes. Put this in your stereo and relive the rebellious 60s once again” “You'll love some of the guitar riffs on this LP. The costumes these guys wore were a bit dorky but then it was the sixties.”

“Nobody else sounded like The Spotnicks. Not then, despite the hundreds of Joe Meek inspired space age coattail-riders, and certainly not now.”

“Give people a sound they have never heard before, a sound that can't be done better by somebody else, a sound that compels folks to keep listening. Do that for long enough and you can be The Spotnicks.”

"Bo Winberg was an outstanding lead guitarist, perhaps even the best of his day. Worthy of adding to any serious instrumental collectors set."

"Just playing Orange Blossom Special again I was transported back to my youth. Rocket Man is by far the best Spotnicks track."

"They really have all the qualities in one group to make beautiful music. The best instrumental group of the 60s. Spotnicks' music will live forever."

The Original Telstar – THE TORNADOS*****

Telstar/Red Roses & A Sky Of Blue/Chasing Moonbeams/Earthy/Swinging Beefeater/Theme From A Summer Place/Love & Fury/Dreamin' On A Cloud/Ridin' The Wind/The Breeze And I/Jungle Fever/ Popeye Twist

Legendary record producer Joe Meek's ethereal instrumental composition Telstar, performed by the Tornados, was a No. 1 hit single on both sides of the Atlantic. The sounds and music he conjured up with this group are quite out of this world. This LP, provides an excellent introduction. However, better still is a full compilation CD which includes their other UK hits and later instrumental tracks. (US:45)

"The Tornados sound was centred around keyboard instrumentation rather than guitars - although their lead and rhythm guitarists were able to hold their own with any pop group of that era."

"If you are unfamiliar with The Tornados, you should consider purchasing this album if only for to hear the unforgettable Telstar which was far and away their greatest hit and, perhaps, the greatest pop instrumental of the 1960s."

"Nothing, matches the warm, feel-good Telstar melody, while its driving, crescendo opening still generates a level of excitement even today."

"The defining thing about all these numbers is that they have proper tunes - melodies that you can hum, and I think this is what makes them so listenable."

"The Tornados' sound was original and unique. The style of music is varied ranging from a synthesized sound to rock versions of honky-tonk and arcade. To sum it up, this album offers a lot of creative and good music. I highly recommend it, and if you like rock instrumentals, it is a must."

"Their version of The Breeze & I has a real heavy bass guitar backbeat, probably enough to satisfy any bass head."

"How could anyone not like this? Epic sound. Wish I could have been around for it. Alas, born 1988, so I am surrounded by utter trash as far as music is concerned."

New Frontier - THE KINGSTON TRIO****

Greenback Dollar/Some Fool Made A Soldier Of Me/To Be Redeemed/Honey Are You Mad At Your Man/Adios Farewell/Poor Ellen Smith/My Lord What A Mornin’/Long Black Veil/Genny Glenn/The First Time/Dogie's Lament/The New Frontier

Hugely successful US folk group the Kingston Trio entered the US album chart for the fifteenth time with the optimistic New Frontier. It includes an uncensored version of Greenback Dollar. (US:16)

“Greenback Dollar - need I say more? Well, actually I can. This is a great set of songs for the kings of folk revival. Some Fool Made A Soldier Of Me is excellent, and quite memorable. But, overall, this album has great energy.”

“They should be heard not just for the hits. These guys can play guitar and banjo pretty fine also. Plus their harmonies are not too shabby. Overall, this is a good buy.”

“These albums were released near the end of a much more civil period in our history than the time which soon followed. The gentle sounds and thoughtful lyrics are to be treasured.”

“The Kingston Trio were arguably the best folk group ever, and these songs are so wonderful, vivid, sincere and real you can't help but love them. The Trio proved that music could be intelligent, tuneful, fun and serious at the same time, and still be popular. All of these songs are worth listening to over and over again."

"They're all anti-war songs, but they're not specific about what war, which is what makes them so effective."

"New Frontier is upbeat, basically cheerful, optimistic music celebrating youth, nowhere more so than on John Stewart's title song, a bold, optimistic celebration of the Kennedy era."

"The original songs are interspersed with familiar standards, all sung with sweet harmonies and played with winning exuberance."

“The mix of songs is extremely diverse and, if not the group's ideal repertory, shows off their ability to deal with folk music in a multitude of moods and settings."

Mutiny On The Bounty – SOUNDTRACK****

Theme/Portsmouth Harbour/Storm At Sea/Girls & Sailors/The Mutiny/Love Song/Leaving Harbour/Arrival In Tahiti/Pitcairn Island/Love Song/Outrigger Chase/Native Festival Music/Christian’s Death

The historical drama movie Mutiny On The Bounty starred Marlon Brando and Trevor Howard. The evocative soundtrack was composed and arranged by Bronislau Kaper. (US:14)

"Kaper's use of South Seas rhythms and chorus, along with familiar English melodies, add authenticity to the seafaring saga that moves from the North Atlantic to the South Pacific."

"Like the movie for which it was composed, Kaper's Academy Award-nominated composition is brash, thrilling, tense, playful, reflective and dynamic." "Kaper's score cannot be faulted. There is so much more beyond the striking and memorable main theme: among the delights are motifs and melodies of symphonic power, sea shanties, authentic Tahitian music and more."

"Its crowning glory is Bronislau Kaper's masterpiece of a score - one of the greatest ever written and one of the most magnificent recordings of a score ever done." "There is so much to assimilate in this recording, the majesty of the overture and main title (with chorus) sets the mood for great adventure and heroism."

"The score's love theme, known as Follow Me in its choral setting, is also one of the great themes of the 1960s and is beautifully used within the film."

"Bronislau Kaper's soundtrack for Mutiny On The Bounty is nothing short of magnificent. In fact its simply phenomenal, outstanding, superb, extraordinary and every adjective imaginable that denotes greatness."

"The love theme Follow Me is both beautiful and haunting, presented as an instrumental, sung in Tahitian and English. All through the movie, the music is the perfect complement to what we are seeing on the screen."

Meet The Supremes – THE SUPREMES***

You Heart Belongs To Me/Who’s Lovin’ You/Baby Don’t Go/Buttered Popcorn/I Want A Guy/Let Me Go The Right Way/You Bring Back Memories/Time Changes Things/Play A Sad Song/Never Again/(He’s) Seventeen

The Supremes debut album Meet The Supremes contained no major hits, but is of interest as lead vocals are shared between all three members. Later albums would focus primarily on Diana Ross. (UK:8)

"The romantic and sentimental Your Heart Belongs To Me, written by Smokey Robinson, should have been The Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells. Diana Ross's sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs."

"One truly needs to be prepared to hear the young and raw voice of Diana Ross to appreciate this set. The songs and arrangements are pretty green as well."

"For me, the great treats here are the lead performances of Florence Ballard, leading the silly and exuberant Buttered Popcorn (an absolute delight), and Mary Wilson, robustly featured on the Berry Gordy penned Baby Don't Go. Both of these feature a very doo-wop, girl-group sound, the first being more straight-ahead rock and roll, the second, rock and soul 'ballad' singing."

"In spite of the spare production values throughout most of this set, and the developing talents of the songwriters, arrangers, and the performers themselves, this is still a valuable, historical musical portrait of emerging greatness."

"This was the beginning of the most successful girl group ever. I love this LP because of the rawness to it, the early Diana Ross voice and that it is the only album in which Mary Wilson and Florence Ballard sang lead."

Great Guitar Hits – LINK WRAY & HIS RAYMEN****

Run Chicken Run/The Black Widow/Lillian/Pancho Villa/Rawhide/Ace Of Spades/Jack The Ripper/Dance Contest/Alone/The Outlaw/The Swag/Rumble

Great Guitar Hits is a compilation of influential guitarist Link Wray’s best known tracks including his US No. 16 hit single Rumble. He is considered to be the inventor of the power chord.

“The song Rumble was highlighted by Wray's snarling surfer fuzz-tone guitar licks, set to a menacingly slow bluesy tempo. The flipside was the bluesy/rockabilly The Swag which is a reminder that Wray started out in country & western before his rock career, as there are undertones of that style. Inspired by the TV series of the same name, the upbeat Rawhide sports a cool surfer type guitar set to a blues beat, proof enough that Wray was the forerunner of hard blues. Jack The Ripper, with its insistent and uptempo drum backbeat and occasional guitar riffs makes you go twenty over the speed limit. Wray does some high pitched theatrics with his guitar to imitate a chicken cackle in Run Chicken Run before going into his usual style.”

“Link Wray is the greatest unsung pioneer of modern guitar based rock, not only the inventor of the power chord and crazy new forms of distortion, this original axe barbarian combined rockabilly tinged aggression, amped up blues, and uniquely insane new sounds. What Wray was already doing full force in the late 1950s and early 60s would influence generations to follow: metal, surf, electric blues, rock instrumentals, etc.”

“Link pounds out raw and crude rockabilly rock 'n' roll tunes like none other. I'm surprised he isn't considered one of rock 'n' roll's greatest guitarists. He is certainly one of the most influential, and is the father of the power chord.”

“While everyone else in rock & roll at the time was trying to get as clean a sound as possible, Wray was poking holes in his amp with a pen and getting that truly nasty fuzz-tone. And he was strumming dissonant power chords while The Raymen raced along at twice his tempo; then he would start playing fast. One of the most fascinating sounds ever produced by a rock & roll guitarist.”

“Some words to describe Link Wray's guitar: dirty, nasty, crude, rude, gritty, mean, snarling and growling. One of the innovators of the surfy-garage rock sound, Link Wray is everything rock & roll is meant to be, loud, fast and out of control.”

To Kill A Mockingbird – ELMER BERNSTEIN****

Main Title/Roll In The Tire/The Search For Boo/Jem’s Discovery/To Kill A Mockingbird/Tree Treasure/Lynch Mob/ Footsteps In The Dark/Children Attacked/Scout & Boo/Summer’s End

American conductor Elmer Bernstein’s acclaimed score for the movie To Kill A Mockingbird starring Gregory Peck, based on the award winning novel by Harper Lee about small town life seen through the eyes of a child.

“One of the finest film scores ever composed. Without a doubt, Elmer Bernstein's finest hour. And with a repertoire like his, that's saying a great deal. Bernstein captivates the listener with the poignant simplicity of a child’s view of life.”

“Bernstein's score for Mockingbird is appropriately subtle and nuanced, with most tracks featuring delicate woodwind-and-string passages. The Main Title is dreamy and pensive, yet slightly foreboding at times, expertly evoking the story's larger themes. Poignant pieces such as Jem's Discovery successfully convey the film's emotional weight, while more urgent songs such as Tree Treasure perfectly echo its most suspenseful moments.”

“The score is not typical of Elmer Bernstein, although it does contain some very recognizable signature motifs. Yet it remains his most subtle and compelling work, in complete keeping with the movie itself. The opening title music alone is enough to evoke both the film and the time it captures so eloquently.”

“This is a brilliant score. If you've ever seen this movie than you should know that the music definitely stood out. Bernstein has created some beautiful themes for this score and weaves them in and out of different tracks. The first and last tracks are pure magic.”

“This is one of those perfect examples of really good music that complements the movie rather than upstaging it. Just watch Mockingbird's opening credits in widescreen. It's amazing how well the music establishes the tone of the whole film in a split second. The southern setting, the tension of the plot, the coming-of-age theme, it's good work.”

“To Kill A Mockingbird is a great score. It has so many elements working for it. It is warm, curious, impressionistic, and occasionally nightmarish. And it's very child-like in nature. Get this soundtrack for your collection. You will not regret it.”

It’s Gonna Work Out Fine – IKE & TINA TURNER***

Gonna Find Me A Substitute/Mojo Queen/Kinda Strange/Why Should I/Tinaroo/Its Gonna Work Out Fine/I’m Gonna Cut You Loose/Poor Fool/I’m Fallin’ In Love/Foolish/This Man’s Crazy/Good Good Lovin’

It’s Gonna Work Out Fine was an early album from vibrant soul act Ike & Tina Turner before they became commercially established. The title track was a US No. 14 hit single.

“Its Gonna is a return to the real Ike & Tina jukebox style with rollicking pianos, fiery guitars, drums and the vibrant Ikettes. Nothing matches the title track, although This Man's Crazy shows Tina as Little Richard (and she's having such fun).”

“It's Gonna Work Out Fine was named after their hit single from 1961, a call and response song, unusually not written by Ike. Although there were no other singles from the album, there a number of great tracks which could have been, including Mojo Queen, Foolish, This Man's Crazy and the could-have-been dance sensation the Tinaroo. I can just imagine the frantic routine with Tina and The Ikettes, who add so much to the sound of this album.”

“A good collection of soul, R & B, rock & roll and blues songs that flirt with pop. Tina Turner's imposing voice sounds a bit like Little Richard.”

“Ike and Tina give us a vocal duet, and once again Tina outshines Ike as the driving talent behind this duo. Elements of doo-wop combine with an early rock and roll guitar line and another tearing vocal performance from Tina – the likes of which clearly went on to be a big influence on the Janis Joplin’s of the world down the track.”

Hats Off To Del Shannon – DEL SHANNON****

The Swiss Maid/Cry Myself To Sleep/Ginny In The Mirror/You Never Talked About Me/Don’t Gild The Lily Lily/I Won’t Be There/Hats Off To Larry/The Answer To Everything/Hey Little Girl/I’m Gonna Move On/I Don’t Care More/So Long Baby

Falsetto styled rock & roller Del Shannon scored his first UK top twenty album chart success with Hats Off, a collection of A & B sides that includes five top ten hits. (UK:9)

"For me, Del Shannon was one of the top singer/songwriters of pop songs of his era, featuring the sounds of the 'Musitron' and his highly individual vocals."

"He was a major part of the 60s scene and will always have a place in pop history."

"Hats Off is assembled exclusively from singles material and thus has a great overall consistency in both songwriting and performance, as Shannon shows off his arresting vocal style and ability to mix rock and pop on a string of classics."

"The majority of the album offers solid early '60s pop confidently delivered in Shannon's richly emotional style."

"The song Hats Off To Larry is real music. Why don't they play this on the radio - the world would be a better place."

Fly Me To The Moon – JOE HARNELL****

Fly Me To The Moon/Senza Fine/I Left My Heart In San Francisco/Early Autumn/You’d Be So Nice To Come Home To/One & Only Love/Cry Me A River/One Note Samba/What Kind Of Fool Am I/Loads Of Love/Midnight Sun/Eso Beso

Easy listening conductor & arranger Joe Harnell enjoyed his only US album chart success with Fly Me To The Moon, a collection of bossa nova styled covers of old standards. Surprisingly this was the only version of the title track to break into the top twenty. (US:3)

“This LP is truly a masterpiece and a brilliant compilation of musical harmonies. The piano is central to all of the tracks and Joe Harnell was a gifted talent; for all you music aficionados you cannot afford to be without this record if you are a fan of the bossa nova movement.”

“I love the beat and rhythm of bossa nova. The genre was popular in the early sixties thanks to the likes of Joe Harnell. This is one of my all time favourite recordings. The track selection is wonderful as are the arrangements.”

“This LP has something for everyone. Its puts you into a total dancing mood. This type of music can be played throughout life.”

“This is the music that was the 'big new thing' in the early sixties, and would have been played at every cool swinging party to be sure.”

“Joe Harnell's arrangements of the many standards here were vibrant and sophisticated with very transparent orchestral textures and soaring strings. This music is still a delight to listen to whether as a nostalgic trip back to that time or just to enjoy now.”

"Joe's arrangements and rhythm, along with that dominant piano, make this a retro sound that plays well even today."

"Listening to the sample of the title track had me brimming with joy, the arrangement is so cool. Can't say enough about how wonderful this album is. Every song is done so well."

Dear Lonely Hearts – NAT KING COLE***

Dear Lonely Hearts/Miss You/Why Should I Cry Over You/Near You/Yearning(Just For You)/My First & Only Lover/All Over The World/Oh How I Miss You Tonight/Lonesome & Sorry/All By Myself/Who’s Next In Line/It’s A Lonesome Old Town

Despite the top twenty title track Dear Lonely Hearts was a poorly received album from Nat King Cole. It was criticized by some as lacklustre with too much orchestration and some unsuitable backing vocals. (US:27)

“This album is quite a let-down. Too much orchestration and pop background vocals, especially since it seems this was meant to be a combination of country and light R & B at some point. The title track is quite good, as is My First & Only Lover and Who's Next In Line. Vocals are great as usual, but the music and song selection lets this down.”

“Love the man's music, but on this record there are irritating background vocals, that spoil almost everything.”

“There were relatively few memorable songs and conductor Belford Hendricks was not the most inspired. Whilst it was a cut above Cole's overtly pop recordings of the period, Dear Lonely Hearts, did not rank with his jazz excursions or his sessions with better arrangers.”

“Nat’s usual suave, romantic ballads are nowhere to be heard. Instead, Dear Lonely Hearts oozes lacklustre sentiment, with lyrics that are conventional to the point of being soporific. Anything we hear of Cole’s iconic piano playing is lost under an overload of unnecessary accompaniments; most notably the too-frequent background vocals and the occasional incongruous guitar picking.”

“The one and only master of interpretation. No other singer in the business had the warmth that he gave during a performance or recording session.”

“Dear Lonely Hearts showcases the pure, measured voice of Nat performing some long lost classics to Belford Hendricks fine arrangements and backed up by one of the best choruses in the business. Full of beautiful singing and trenchant interpretations that for me top his more popular albums."

Dance With The Guitar Man – DUANE EDDY****

Nashville Stomp/The Scrape/Wild Watusi/Spanish Twist/New Hully Gully/Loco-Locomotion/Creamy Mashed Potatoes/Dance With The Guitar Man/Limbo Rock/The Climb/Waltz Of The Wind/Popeye The Hitchhiker

Duane Eddy, with his trademark twangy guitar sound, enjoyed his ninth and final UK album success with Dance With The Guitar Man, sales boosted by the top five title track. Duane's RCA albums were regarded as more sanitized than earlier ones produced by Lee Hazlewood on the Jamie label. (US:47 UK:14)

"Love his unique and twangy guitar sound."

"An amazing guitarist and one of the truly important figures in rock and roll."

"Duane twangs a simple melody over some yakkety sax and much excited yelling in the background. As such, his worldwide influence on a generation of guitar-pickers was massive."

"Who can forget that tremolo-laden, booming guitar sound, the wailin' sax, the rebel yells and all-round great rock ensemble that Eddy and his stalwart support musicians put together."

"The material he cut for RCA from 1962 to 1965 was sanitized, commercialized and lightweight."

"A unique twanging guitar sound - wonderful."

Cherished Memories – EDDIE COCHRAN****

Cherished Memories/I’ve Waited So Long/Never/Skinny Jim/Half Loved/Weekend/ Nervous Breakdown/Let’s Go Together/Rock & Roll Blues/Dark Lonely Street/Pink Pegged Slacks/That’s My Desire/Sweetie Pie/Think Of Me

Posthumous release from rock & roll legend Eddie Cochran. Includes five self penned numbers and his first single release Skinny Jim. Eddie was far more popular in the UK than back home in the USA. Cherished Memories complements the 1960 Memorial Album, which was re-released in 1963. (UK:15)

"Eddie Cochran is one of the most underrated and influential rockers of the 50s. He wrote his own songs, played a pretty mean guitar and was a pioneer of rock." "He was one of the few rockers of the 50s who wrote, and had control over, his music. He was the real deal, the personification of rock & roll."

"His brilliant guitar innovations created rock from country."

"One of those who introduced the technique of overdubbing themselves, playing several instruments, singing lead and harmony."

“In his tantalizingly brief career, he contributed a number of classics to the rock repertoire."

“It is clear that even though his career was cut brutally short, Eddie Cochran made contributions that influence rock and roll decades after his untimely demise."

“What a terrible loss of a really talented guy way too soon. His influence can be heard on everything from The Beatles to The Stones."

“I love Eddie's songs because they captured my teenage years. Eddie put his heart and soul into rock & roll."

Biggest Hits – CHUBBY CHECKER*****

Popeye(The Hitchhiker)/The Hucklebuck/Pony Time/Dance The Mess Around/The Twist/The Fly/Limbo Rock/ Let’s Twist Again/Slow Twistin’/Whole Lot Of Shakin’ Goin’ On/Good Good Lovin’/Dancin’ Party

Biggest Hits was a comprehensive collection of rockin’ dance hits from twisting Chubby Checker, released when his popularity was just beginning to wane. (US:27)

“Checker's best known song is, of course, The Twist. He also had million-sellers with Let's Twist Again and Limbo Rock. Additional dance craze top ten hits included Pony Time, The Fly and a duet with label mate Dee Dee Sharp on Slow Twistin’.” “All the dance tunes he made famous from the sixties. You cannot go wrong with this.”

"Dancin' Party has one heck of a beat and I love every minute of it - what great music, it's electric! Chubby sings with lots of enthusiasm; and his excellent diction enhances his performance all the more. Of course, The Twist was probably Chubby's biggest hit ever; and he belts this out with lots of youthful enthusiasm.”

"Let's Twist Again is a strong sequel song, the music has a beat that couldn't be better and the melody is infectiously happy and catchy too. Chubby specialized in making these dance tunes so very memorable, and he succeeded every step of the way.”

“Chubby Checker will never be forgotten; he was a king amongst kings and one of the best artists to consistently turn out song after song that young people could dance to. I love the work of Chubby Checker and I highly recommend this album.”

“Much of what's here is fine, catchy pop aimed directly at the teenagers of the 1960s. That means it's technically 'dated', but the joyous nature of these songs transcends it's time, while remaining a time machine for the nostalgic.”

Big Band Bossa Nova - STAN GETZ***

Manha De Carnival/Balanco No Samba/Melancolico/Entre Amigos/Chega De Saudade/Noite Triste/Samba De/Uma Nota So/Bim Bom

Big Band Bossa Nova was the follow up album to the hugely successful Jazz Samba collaboration with Charlie Byrd. Orchestral arrangements are by Gary MacFarland. (US:13)

“Latin rhythms, Stan Getz sax, big arrangements. It works. Its not as mellow as I thought it would be, and its certainly more an American jazz record in ambience and intent than Brazilian or MOR mood music.”

“Getz is the featured soloist and plays with his usual amount of confidence and talent. The album - a commercial product responding to the early 1960s craze for bossa nova music - wouldn't be quite the same were it not for McFarland's elegant arrangements.”

“It works both as a jazz album and as AOR-MOR music for the sophisticated masses, but adds a slightly more American touch to the Latin rhythms. Surprisingly free of cliché, it's always a pleasure to listen to, and Getz's breezy solos are perfect for warm summer evenings.”

“It creates a really nice ambiance, sort of bright and thoughtful with a bit of a free spirited approach. The music is warm and friendly yet there are a few chances taken with dissonance here and there, but for the most part I think everyone can enjoy this. Stan's saxophone work is really lovely and muted yet clearly he's so very skilled, it's great punctuation to the music without drowning out the other instruments.”

“Stan Getz does his thing, but the genius of the recording lies in the orchestral arrangements by Gary MacFarland and his orchestra. Sparse, unexpected, consistently unpredictable, the familiar bossa nova standards are reinterpreted in a new engaging way that is a delight to experience. Horns swell in and out at seemingly random points, single instruments throw up discordant harmonies that somehow resolve beautifully. The record flows yet surprises at every turn.”

“The high point is Bonfa's Manha De Carnaval which, along with Jobim's Insensatez, is the crowning glory of bossa nova. Getz's playing is once again a marvel of expressive restraint."

What’s A Matter Baby – TIMI YURO****

What’s A Matter Baby/Its Too Soon To Know/I Waited Too Long/Fever/Guess Who/Hallelujah I Love Him So/If You Gotta Make A Fool Of Somebody/For Your Love/Should I Ever Love Again/Only Love Me/That’s Right Walk On By/The Right Time

Timi Yuro was a powerful emotional singer who never quite achieved the success she deserved. What’s A Matter Baby is regarded as one of her best, helped by the classic US No. 12 title track hit single.

“A little formulaic in the arrangements, but saved by Timi's exuberance and some great song choices. What's A Matter Baby is an all-time classic recording that really rocks and That's Right Walk On By isn't far behind.”

“Each song is perfectly matched to her strong voice and there are no fillers here. There was something special about her voice and her ability to tug at your heart. We all know she truly lived her songs.”

“Timi Yuro possessed the most unusual brilliant voice in popular music history being full and robust with rich tones and beautiful vocal shadings, plus deeply passionate emotion that always cut to the heart and soul of a song. The memorable What's A Matter Baby was a sizable hit but this soulful anthem should have gone to No. 1. This album is about as perfect as it can get. Timi's incredible voice is matched with great songs, and none are filler.”

“What a powerful and unique voice from a great soulful artist who was grossly underrated. I hope that someday Timi will receive the recognition that she truly deserves for all the wonderful songs she recorded.”

“Timi sang from the very depths of her soul and never got the recognition she so richly deserved. Forget all the commercial so called soul singers as Timi swept them aside for absolute raw emotion.”

“The title track of Timi Yuro's third album, What's A Matter Baby, was one of her biggest hits, both on the charts and in terms of sound: more than once, Yuro's voice saturates the song, sending recording gauges (and eardrums) into the red. Yuro's big, beautiful, powerful voice lent itself to a variety of settings; aside from the title track she tackled more mature sounding orchestral pop, country-pop, and other styles, many of which are represented here.”

Going To The Ventures Dance Party – THE VENTURES***

Mr Moto/Theme From Come September/Ya Ya Wobble/Night Drive/Venus/The Intruder/Gandy Dancer/Sweet & Lovely/Limbo Rock/Lolita Ya Ya/Loco-Motion/Gully-Ver

Going To The Ventures Dance Party was an album of upbeat dance instrumentals from The Ventures, but is disappointing in that only three are originals. (US:97)

“Rather than focus on one particular dance fad, this album is about dancing in general, although some of the songs have no obvious connection to dancing. There are nine cover versions of other people's songs and three original tunes. No hits this time around, although the great Night Drive has become somewhat of a cult favourite among Ventures fans. The rest of the album is pretty solid, as usual.”

“This is a pleasant album, though some of it lacks the edge and focus of its direct predecessor.”

“Side two was a killer, either as dance music or a virtuoso musical showcase, perfectly balanced even as pop music in the sweetly lyrical renditions of Limbo Rock and Lolita Ya-Ya. One wishes that they tried to pull off Loco-Motion without the female chorus, but the mix of an almost-breathless, sotto voce female chorus and Nokie Edwards guitar is fun and almost impossible to resist.”

“Ventures Dance Party features a range of dance-craze numbers from the early '60s, including Loco-Motion and Limbo Rock. Their version of the surf classic Mr. Moto is sizzling and Theme From Come September is rich with the cinematic lure of the Mediterranean.”

“Perhaps the only ones you know by name are Limbo Rock and The Loco-Motion, but any fan of guitar music should dig this. There's some excellent, beautiful guitar interplay, as well as some different tones to compare and contrast. The drums sound excellent, they're really pumped up in the forefront and give the songs a lot of power. As for originals, there are three on here, and two of them - the gallant, swingin' Night Drive and energetic, good time Gandy Dancer are as great as any cover they've ever done. They were capable of writing excellent songs - they just were never terribly prolific at it.”

Sugar ‘N’ Spice – PEGGY LEE****

Ain’t That Love/The Best Is Yet To Come/I Believe In You/Embrasse Moi/See See Rider/Teach Me Tonight/When The Sun Comes Out/Tell The World About You/I Don’t Wanna Leave You Now/The Sweetest Sounds/I’ve Got The World On A String/Big Bad Bill (Is Sweet William Now)

Peggy Lee demonstrates her superlative vocal talents on Sugar ‘N’ Spice a collection of songs from a variety of different genres from ballads to more uptempo material. (US:40)

“Sugar 'N' Spice is among the best of her work for Capitol Records, the contents are pure and fine Peggy Lee at her best. Where some of Peggy's albums in the 1960s included much forgettable contemporary material that hasn't stood the test of time too well, this album features a program of songs that range from contemporary show tunes (I Believe In You and The Sweetest Sounds), an excursion into the blues (See See Rider) and the great American song book (When The Sun Comes Out and I've Got The World On A String), plus a few lesser known numbers for good measure.”

“Peggy is in fine voice and brings her sweet feminine tones to the ballads and her salty, seductive sounds to the more uptempo material. The backings are by Benny Carter and feature a compact orchestra with an emphasis on brass. Of interest here, too, is Peggy's solo treatment of the novelty Big Bad Bill which is a comic highlight. All in all, this is a fine album that should delight Peggy fans as well as those who admire this legend to a lesser degree.”

“Sugar 'N' Spice is an excellent example of Peggy Lee's beautiful artistry. She sounds great on this album, singing some pretty incredible songs beyond perfection which leaves no doubt about her exceptional vocal talents.”

“In the 60s she slurred a little less than she would subsequently, and made brilliant swinging recordings like this one. She has such a sly, sensual delivery. The arrangements are so sharp and don't suffer from the bombast that ruins so many recordings from this period.”

“Sugar 'N'' Spice has no obvious theme except love, but the overall feel of the album is bright and cheery. The well-known songs here include The Best Is Yet To Come and I've Got The World On A String. To my ears, the outstanding ballad here is When The Sun Comes Out.”

Romantic Italian Songs– SERGIO FRANCHI***

Core ‘Ngrato/Funiculi Funicula/O Sole Mio/Mattinata/Mamma Mia Che Vo’ Sape/La Vilanella/Marechiare/'A Vucchella/Come Facette Mammeta/Fenesta Che Lucive/Torna A Surriento/O Surdato ‘Namorato

The Italian tenor Sergio Franchi achieved the most unusual feat of reaching the US album top twenty with this LP of romantic numbers sung entirely in a foreign language. (US:17)

“His vocal colour, phrasing and above all attention to the lyrics put him in a class by himself. This was his American recording debut. The sound is still first rate and the performance wonderful.”

“Sergio Franchi's much too short career started with a bang on this album. What I enjoy is Sergio singing beautiful Italian songs with fabulous phrasing, power and passion. Like most singers in his era, he was forced in later years to sing material that wasn't up to his level of talent. But not on this one.”

“I cannot say enough about Franchi’s voice. I usually do not like opera, but I believe it is just because I had not heard a voice like this. There are two fast songs which are most powerful. The slower songs have a depth that I have not witnessed before.”

“A great tenor, whose soaring voice and romantic songs, remind me of my youth. Terrific entertainer, lovely album.”

“In my opinion Sergio sounds better in Italian than he does singing English and for this reason I would rate this as the best example of his recordings that I have heard.”

“When I first played I was blown away, this was a superb voice singing thrilling music. The album opens with a bang with Core 'Ngrato and you may never hear more rousing arrangements of songs like Funiculi-Funicula, La Vilanella and many more, utilizing a full chorus and orchestra. I recognised some of the tunes and grew to love others.”

“If you love traditional Italian songs, sung the way they were meant to be, this is for you.”